This book compares the Chinese and classic foreign works from different periods. It reveals the beauty of music from different layers, including basic emotions, joys, and sorrows, reflecting different eras, regions, ethnic groups, and musicians' personalities. All these elements reflect the profound spiritual connotation of music, the music of the image, the visual image, and the contents of the literature. The aim is to build a bridge between music aesthetics and music appreciation, so that music aesthetics can “come out of” the theoretical ivory tower to convey the true meaning of beauty in music with appreciation into the public's vision of music aesthetics and help the general audience enhance the aesthetic realm of music appreciation practice.